Humanities

Musical Gem of the Week #4

Posted in Humanities on March 7th, 2010 by Noldorin – Be the first to comment

To conclude my series of posts on the Baroque period of music, I thought it necessary to highlight one of my all-time favourite keyboard composers. Domenico Scarlatti was born the son of the then-famous composer Alessandro Scarlatti in Naples, Italy, in the same year as both Bach and Handel (1685). This little-known composer (at least to the modern dilettante) was in fact one of the leading figures in developing early Classical period music, the style that would later culminate in the works of Mozart and Beethoven. He is in my opinion one of the underrated geniuses of the era, a true innovator, who although admired by such Romantic greats as Brahms and Chopin, never gained the legacy of either of the two.

Of the 555 sonatas he wrote for keyboard (typically harpsichord or fortepiano), I have (unsurprisingly) listened to but a small fraction of them – a few of which I can happily call true masterpieces. Quite possibly my favourite is his Sonata in D major, K. 491, which I have chosen to share today.

Listen or Download Here

This wonderful recording by Raffaele Terlizzi, is again of very high quality and free to download. Although I’m hardly informed to judge, it would seem that this performance was made on a fortepiano (an instrument of Scarlatti’s day, as opposed to the more modern pianoforte) – either way, it gives a feeling of contemporary authenticity. On the subject of online recordings, you can find a immense number of great recordings of piano/keyboard music available for download from the Piano Society website (which I somehow managed to miss out from my previous list of resources for free clasical music).

Let me conclude with a interesting anecdote of Scarlatti’s meeting with Handel. Most unfortunately to the world of music, Handel never did manage to meet the other giant born in 1685, despite several attempts.

It was in 1708 or 1709 that Handel and Scarlatti, then in their early twenties, were involved in a celebrated keyboard contest in Rome. According to the surviving (and not always reliable) account, Handel was declared to be superior on the organ, while Scarlatti matched or perhaps even surpassed Handel’s skill at the harpsichord. Scarlatti is said to have realized the musical possibilities of the organ only after hearing Handel play; regardless of the reliability of such a statement, it certainly confirms Scarlatti’s love for the instrument. In any case, the two became good friends and Scarlatti followed Handel throughout Italy in order to listen to him and learn from his mastery of the organ.

(Extracted from the text of The Great Contest: Bach, Scarlatti, Handel.)

The Traveller’s Paradox

Posted in Fun, Humanities, Maths & Science, Philosophy on March 2nd, 2010 by Noldorin – 1 Comment

For whatever reason, I remember quite clearly the first time I was introduced to the wonder of paradoxes. Curiously, it was during an English class in my first year of secondary school, and the rather eccentric teacher had a particular tendency to ramble on about any interesting topic (usually well outside of the syllabus). A criticism this is not, as it was many years before the seriousness of GCSEs and A-levels. I think that in looking back I took great enjoyment out of those classes, even if I did not so much realise it then. (And it wasn’t just for the fact that we didn’t spend countless hours analysing poetry or Shakespeare.) Moreover, it is plain now that he was, through a variety of ways, trying to open our young and malleable minds so that they might perhaps (idealistically) become sharp and inquisitive, and remain so through the future years of drudgery.

Before I continue too far on such a tangent myself, let me present the focus of this post, that is one of the paradoxes with which I became acquainted during one of those many unusual English classes. I have forgetten the precise details, but the following I think is a half-way accurate rendition of what was then told (though the many embellishments may differ to those of my former teacher). As you may guess from the title, I term this little problem the “Traveller’s Paradox”, though I don’t think it has any conventional name, and has undoubtedly been repeated in many varying forms.

Warning to unsuspecting readers: the following situation is presented in the fairy-tale style. I was told it this way, so that’s how it’s going to get repeated – can’t please everyone!

A wearied prince has travelled many leagues on his quest to reach the all but forgotten castle that is the target of his quest; the location of the the legendary gem that is the final chance to save his kingdom from ruin. The pale sun is gradually vanishing behind the horizon as the young man approaches a great fork in the road ahead, far beyond which he can glimpse the tall spires of the castle that is his destination. Having sought his goal by his wits and instincts alone thus far, he is now unsure of which path to take from this point. Alas, time permits him to delay no longer if he is to succeed in his quest, and he must make the choice of road before darkness falls.

Approaching the split in the wide path, he scarcely notices two giants standing motionlessly at the side of the path. In this moment the prince recalls the words of the sage whom he had oft consulted; these twin giants, identical in appearance, were the only living creatures who know the safe pafe to the fabled castle. Yet he has a dilemma, for one of them always lies while the other always tells the truth, and what is worse, no-one may ask either of them but a single question.

Making the wrong choice of path will lead inevitably to peril and the ultimate failure of his quest. Only one of the roads provides a safe route directly to his goal. Not willing to let the fate of his realms rest in the hands chance, the prince knows he must ask one of the giants the question that will tell him the safe path – but which giant, and what question?

Now, before continuing, do ponder for a while the nature of this paradox, if you are not already. I do promise  that this dilemma does in fact have a sane solution, and unlike other paradoxes, is not a fundamental contradiction of logic and reason. Read on only when you wish to see the answer, and more relevantly, the formal (mathematical) method we can use in treating such a paradox.

Mathematical (or formal) logic is arguably at the heart of mathematics itself, and is to many the foundation of all science, philosophy, and general reason. Logic is unfortunately not such an intuitive thing to we as humans (without exception) – at least, beyond the very superficial level. Certainly, what has developed into the field of formal logic (in particular modern research into higher-order logics) would make little to zero sense to anyone discovering it upon the first time. It does not take much consideration to realise that the human mind, not unalike to those of other creatures, is one tailored by the eons of evolution to the tasks of survival and continuation of the species. Indeed, we were never remotely designed to unravel the mysteries of the universe, and it is only through our higher level capacities developed through other means that we may begin to do so. (That is at least the brutal atheists approach, and I am among those who would argue the point at a higher level.)

Without assuming too much prior knowledge of fundamental mathematics, specifically formal logic, I will now introduce an approach to resolving in a (simple?) mathematical manner what initially appears to be a very counter-intuitive situation. Do not fret though, for I myself have barely touched the surface of these areas. Still, for the sake of conciseness, I am going to assume you either have an elementary knowledge of formal logic, or can look up the ideas involved, where necessary. If you haven’t yet seen it, I mentioned a great tutorial for starting out in a previous post. (The Wikipedia pages may be enough if you just want an overview though.)

Firstly, let us formulate the given problem in the language of propositional logic, which involves nothing more than the manipulation of true and false values, in essence. There is no fool-proof way of doing this translation, of course, but read on and I think you will see it all works out pretty well.

Note that I use 1 for the truth value and 0 for the false value here.

To begin let us define the propositional variables and functions we will be using:

A \equiv \text{the ``first'' path is the safe one}

P(X) \equiv \text{the question to ask giant } X; \text{returns the the universally true yes/no answer}

By arbitrarily labelling the pair of giants, let X = 1 represent the truth-telling one and X = 0 the lie-telling one.

Note that $\equiv$ is not actually a symbol in propositional logic, but just syntax for defining a variable.

Now, using this notation, and carefully analysing the situation (problem) presented in the above text, we can see that the problem is to find a formula for P(X) that satisfies a proposition that represents the problem. First, observe that whichever giant you ask, the reply you get will be either P(1) or \neg P(0) in response.

The proposition that defines the situation is then:

(P(1) \Leftrightarrow \neg P(0)) \Rightarrow A

In words, that is: asking the particular question to either giant, you will get the same response (yes/no answer) every time, and this answer will also indicate that you should take path B (if true, the “first” path; if false, the “second” path).

Unsurprisingly perhaps, there is no well-defined procedure for finding the correct formula for P(C). (There are in fact a number of perfectly valid/equivalent solutions that are relatively simple.) Now, since P(X) is simply a function of the propositional variable X, we can quite easily factor out the dependence on X and still write P(X) without loss of generality as:

P(X) = (X \wedge M) \vee (\neg X \wedge N)

If one wanted to be utterly rigorous, one could then take this formula for P(X), substitute it into the problem definition, and use the rules of inference (for whatever formal system) to manipulate it into a form that explicitly gives M and N. On the other hand, I’d rather not lose any readers I still have at this point, so let’s do things the slightly more intuitive way by using some simple human analysis!

The propositional operator \Leftrightarrow, while defined as the bidirectional application of the logical implication operator (i.e. (X \Rightarrow Y) \wedge (Y \Rightarrow X)), can also be seen as representing equivalence of two formulas. (This can indeed by proven formally, though again it’s not really worth the space here I feel.)

Taking the original proposition, we can see (again, with a bit of higher-level analysis) that it implies both:

P(1) \Leftrightarrow A

and

\neg P(0) \Leftrightarrow A; latex P(0) \Leftrightarrow\neg A

By straightforward substitution for P(X), and a bit of simplification, we can then deduce that:

M \Leftrightarrow A
N \Leftrightarrow \neg A

With the understanding of \Leftrightarrow as representing identity, as previously stated, we can substitute the values for M and N back into the previous formula to get the following.

P(X) = (X \wedge A) \vee (\neg X \wedge \neg A)

Problem solved… right? Well no, not quite actually. If we had mechanically applied the rules of inference from the axioms and the formulaic representation of the problem, we would undoubtedly be able to stop at this point (requiring a good few more pages of derivation however). Since we have not been completely rigorous, we must now prove that this definition of P(X) is indeed a correct solution to the problem. Let us substitute the formula back into the problem definition and see.

(P(1) \Leftrightarrow \neg P(0)) \Rightarrow A
(A \Leftrightarrow \neg A) \Rightarrow A
0 \Rightarrow A
\neg 0 \vee A
1

Hence, we now know that the above solution is correct. What remains is only to translate this formula into plain English. Not so trivial, I think we would agree. The first thing to note is that the parameter A is unknown to the prince who asks the question. Well, enough hints…  let’s see if anyone can figure it out first (no cheating), and I’ll update the post with an answer in a few days.

Musical Gem of the Week #3

Posted in Humanities on February 24th, 2010 by Noldorin – 2 Comments

Johann Pachelbel’s ubiquitously well-known Canon in D major may have earned this German Baroque composer his reputation as a “one-hit wonder”, yet this is perhaps not wholly fair. While he was certainly dwarfed by the splendour of musicians such as Bach and Handel who followed in his footsteps, he nonetheless managed to produce several works that deserve their places in the repertoire of high-quality Baroque music. Regardless, I would have to say my favourite of them all is the Chaconne in F minor for organ. Although a fairly short piece (at least by later standards), it certainly demonstrated his mastery of the instrument, which while not perhaps as great as Handel’s, was certainly noteworthy.

Listen or Download Here

(Played in full Burghard Fischer.)

Side note: Although I suspect no-one has realised yet, I’ve evidently adopted more of a bi-weekly schedule for these posts. No excuses here, though given my track record in this respect I’m liable to continue as long as no-one comments! If any of you readers are lurking out there, do please let me know; saying that, my obsessional need to record my thoughts and opinions probably will likely keep me active enough.

Musical Gem of the Week #2

Posted in Humanities on February 10th, 2010 by Noldorin – Be the first to comment

Continuing from my first post of the series, I will again be posting about another masterpiece from the Baroque era.

Again, not to give too much of a preamble, but this composition does merit a quick introduction. Concerto No. 8 from Antonio Vivaldi’s Opus 3 (known as L’Estro Armonico) is a piece somewhat overshadowed in the common repertoire by the concertos from The Four Seasons. In fact, in my opinion it is in several of Vivaldi’s other works that more rightly deserve their places at the pinnacle of Baroque music (most notably several of the concerti from L’Estro Armonico and his Gloria in D major). As it was, the great Bach himself took great inspiration from this set of concerti, transcribing several of them for other instruments – some accalade. (Funnily enough, “l’estro” means “the inspiration” in Italian.)

Apart from this particular concerto being a wonderful example of musical creativity and artistry, I think it is perhaps its enormous vivacity that sets it apart from the others. Full of energy, yet equally sophisticated – a defining mark of Italian Baroque music, in particular Vivaldi’s, in my view.

Listen or Download Here

1st Movement, Allegro

2nd Movement, Larghetto e spiritoso

3rd Movement, Allegro

This recording, by the Advent Chamber Orchestra, is as far as I know public domain, and pretty darn good given that. Anyway, enjoy.

Musical Gem of the Week #1

Posted in Humanities on January 29th, 2010 by Noldorin – Be the first to comment

Due to the great irregularity of my post frequency, I have decided to bring upon myself the task of a weekly series of posts. Having considered a few potential topics, I came to the conclusion that some posts on particular (extraordinary) pieces of music in my (sizable collection). By extraordinary, I mean both compositions of great quality and those which are well outside of the repertoire of a layman, or even a fan of the genre. As anyone who knows me well enough might guess, I will inevitably be focusing on classical (largely common practice period) music. In fact, now that I consider it, I rather fancy doing this series chronologically.

Philistines, proceed with caution… Experts equally so, perhaps, since I am but a dilettante here!

Unsurprisingly, my first “gem” of the series will be a Baroque piece. I have chosen the little known piece, a Viola Concerto in G major, written by a one Georg Philipp Telemann. Telemann, a contemporary of Johann Sebastian Bach and resident of Germany (the Holy Roman Empire at that time), was in fact much more highly regarded than Bach (whose music was considered to be turgid and old-fashioned) in his day, and yet far less since – a fact that rather surprised me upon reading it.  He was, however, a most prolific composer, rivalling his other contemporary in Italy, Antonio Vivaldi, in this respect. Despite his fame being somewhat diminished by time, he was without doubt a musician of great talent, the Viola Concerto among his finest works.

Since I am neither inclined nor qualified to launch into a theoretical discussion of this piece, I hope you will simply hearing its beauty. Hearing and admiring such a work is, in my opinion, a very personal thing that should only be done through oneself, gradually, and in a holistic way.

Listen or Download Here

1st Movement, Largo

2nd Movement, Allegro

3rd Movement, Andante

4rd Movement, Presto

Note: This recording, while quite decent, is not my preferred one, and I have included it mainly because is is Open Audio. My favourite recording of this concerto is actually available free from the Lancashire Sinfonietta website – you just need a quick registration before you can download the complete work.

I still remember the sensation of hearing for the first time a particular phrase near the end of the Allegro (you’ll know which I mean one when you listen). A feeling of recognition that is, but alas, I cannot remember the source. If anyone could suggest where I might have heard this before, that would much alleviate this ongoing irritance!

Expect (nay, rely upon) my second post in the series next week. Until then, I hope I have given some of you enjoyment in sharing this first piece. Comments and suggestions welcome, as always.

The Fall of the Roman Empire

Posted in Humanities on December 27th, 2009 by Noldorin – Be the first to comment

Today I thought that I would take a little diversion from my usual ramblings of science, technology, and software, and instead explore a long-time amateur interest of mine; namely, history. If you are a regular reader of my blog and the subject of humanities holds no appeal to you, there is no need to read further, for there is no hidden technological sub-plot to this post I’m afraid. Equally, I do however urge you to read on if have but a passing interest in history and human affairs, regardless of any education in the field. Indeed, my own knowledge is very much amateur; this post is mainly the result of the desire to share my fascination with a certain area of history. While virtually all eras and aspects of humanity’s past capture my curiosity, ancient history - that of the great civilisations of antiquity – does so the most. It is in particular the macroscopic events, important achievements, as well as disasters of these peoples that are both the most wondrous and poignant to me, and in some ways the most informative to us as the human race.

Few events since the birth of Christ have been of such immense and far-reaching consequence as the fall of the Roman civilisation. One cannot escape either the effects of its 1500 year endurance, arguably unparalleled by any other civilisation to date, nor the shock-waves generated by its final collapse, still running their course through to the present. In modern times, as over the past centuries, it is an event that has be shrouded in much confusion and misinterpretation. The so called Dark Ages, while not perhaps an impenetrable as the name suggests in our minds, lost much of what was known and discovered during the classical era, mostly only recovered in the post-medeival years, and some not even to this date.

Now, before I arrive at the core of the discussion, I  feel it would be rather helpful to dispell some of the haziness surrounding this subject but defining some of the phrases and concepts more rigorously. Indeed, one cannot even begin to discuss the fall of the Roman Empire without the context of its beginnings and developments before that time.

What actually is the “fall” of a civilisation?

No civilisation has or ever will endure forever. Common sense, if not familiarity wish history itself, should tell you that and more. Yet their durations and the methods by which they falter are many and varied. While some grow quickly and are destroyed with equal speed, others experience modest advancement, a long peak, and a gradual decline. Between theses two extremes are a host of other patterns, every one unique and some quite extraordinary. The Roman Empire is one of the most astounding, in my view. While empires created by the Macedonians, Mongols, Spanish, and British, were magnificent in their own ways, and undeniably left their significant marks on history, their span from birth to death numbered no more than several hundred years. On the other hand, we can consider the Roman Empire, which accounting for the pseudo-empire of the Republic, endured almost a millennium. Slightly subtle, but most striking, is the fact that what is often referred to as the greatest empire of history is named after what was once e small village in the middle of a southern European peninsula. Not a country, not even a region, but what was originally a small group of tribal folk managed to conquer over 5,000,000 square kilometres of land and rule over a population of 100 million at its apex.

Although one could define the fall of a civilisation in various complex sociological and economic terms, among other rather technical ways, I find it more useful to a take a less rigid view. To list a few of the “defining” features (but by no means a definition), should just help to solidify the idea.

  • A steep decline in the wealth and prosperity of society. Standard of living, level of technology, complexity of society, may all become hugely diminished.
  • Loss of knowledge and skill; literary, scientific, architectural, historical, et cetera.
  • The replacement of the principal culture or ethnic identification of a civilisation by a different (often a more “barbarous” one).
    Both culture and language may undergo enormous transformation, with a varying degree of absorption.
  • Great losses of territory considered to be ruled or controlled by the civilisation.
    The causes can range from withrawal of governance/troops, rebellion, or foreign invasion.
  • A weakening/collapse of the military forces of the nation.

Many, if not all of these features are apparent in the downfall of great civilisations, rarely more pronounced than in the case of the Romans. Before we get to specifics here, let us first “set the scene” with a bit of background. Yes, I say a “bit”, yet Roman history is so vast that even a few thousand word summary can barely do it justice.

The beginnings and evolution of Ancient Rome

Rome in 800 BC showed few, if any, signs of the great civilisation it would become centuries later. Visiting the area that is known as Lazio in modern Italy (or Latiumin Classical times)at around this time in history, you would likely see sparse collections of wood and stone huts and small buildings organised at best into a petty kingdom, with minor and primitive fortifications at most. Society there was likely little more advanced than elsewhere in central and southern Europe (except Greece). Rome itself was a small settlement on top of the Palatine Hill – later to be the site of vartious temples and imperial palaces. When we consider that the Mesopotamian cultures were thriving in the advanced cities, with levels of technology unimaginable to most contemporary Europeans, and the ancient Greeks were beinning to produce astounding works of literature and art, the simple Latins were but squabbling with other Italic tribes over tiny patches of land to rule and farm.

No one knows very well the exact origin of the Latin tribes, or many of the other ancient peoples of the Italian peninsula. Certainly, the Etruscans (who give their name to the region of Tuscany) had a fundamentally different civilisation that preceded that of the Italics by a couple of centuries, yet was soon enough amalgamated by the Romans. The legend of the Trojan prince Aeneas sailing to the area around Rome following the destruction of Troy at the end of the 2nd millennium BC is likely little more than elaborate fiction and myth. Together with the story of Romulus and Remus, it is a “foundation tale” common in the mythology of almost all civilisations, that was likely fabricated and expanded around a core of historical fact in the following centuries to give a grander vision of the Roman people’s origins. What we know know, however, is that Latin and the other related languages of the region at the time were from the beginning Indo-European languages, likely brought my migrants to the peninsula in the 2nd millennium BC, who subsequently integrated with the existing population. Unlike Etruscan (which surely had some influence on both the Latin language and culture), Latin shares common heritages with languages as diverse and distant as Irish, Greek, Danish, Russian, and Hindi (both in their modern forms and their antecedents).

The legendary founder of Rome, Romulus, having slaughtered his brother Remus in an argument over who would become the first to rule the fledgling city of Rome, began the era of the Roman Kingdom, which lasted from 753 BC until 507 BC, as far as our best estimates can tell. Little is known of this period, although it undoubtedly had a vital role to play in the establishment of Rome’s dominance. The Sack of Rome in 387 BC by the Gauls (the ancient Celtic peoples of France and central Europe), despite not affecting Latin culture, destroyed the vast majority of early Roman records, not to mention architecture, such that we have to day is at best due to second or third hand accounts. After a couple of centuries of monarchy (albeit of a slightly unusual, non-hereditary form), Rome was in the clutches of its 7th king, the cruel and tyrannical Lucius Tarquinius Superbus - the third of the Etruscan line that had gained dominance in the latter years of the Kingdom. It was thus quite inevitable that the population of the city soon rebelled and overthrew him, forming the much better known Roman Republic in the process. This movement, led by the senator Lucius Junius Brutus, created a strong and enduring (pseudo-)democratic republic in which the Senate (led by two elected consuls holds year-long terms) effectively governed the state. The Roman Republic proved to be a model of great success, as Rome quickly developed into an advanced civilised society, inspired to a great extent by the success and culture of Ancient Greece, while still unique and proud in its own right. Over time the plebs (common populace) increased greatly in power and influence compared to the patricians (nobility), so much so that (although they were typically not able to vote), could rise to the highest positions in the Republic, even as far as consul and governor of the provinces. The famous motto SPQR (Senatus Populusque Romanus – “The Senate and People of Rome”), which even now covers certain buildings and the manhole covers of modern Rome, represents well the nature, spirit, and pride of the Roman people.

From the founding of the Republic, it was not long before the Latin peoples managed to subdue their neighbouring tribes, and by the 3rd century BC most of ancient Italy was under the rule of Rome. It was around period that the Romans also began to battle the Carthaginians, a trade empire based around the city of Carthage in modern Tunisia, originally an outpost of the Phonecian civilisation. These so-called Punic Wars are generally not considered to have been initiated for Rome’s desire to expand its territory, but rather to insure its supremacy in trade and limitation of Carthaginian influence. In the end, the Romans were of course victorious, in spite of several set backs, eventually defeating Hannibal and razing the city of Carthage. Thus began the conquests of Rome, and its eternal lust for glory and power. This small republic of minor importance in the 5th century BC had already become the superpower of the Mediterranean by the time of the assassination of Julius Caesar in 44 BC. At the same time, however, the seeds of its destruction had already been sown. It is at this point, still 500 years before the fall of the Rome, that some consider to be the source for its later decline.

Roman territory at the end of the Republican era

The lands of the Roman Republic upon the assassination of Julius Caesar in 44 BC.

By a quirk of history, it was a man by the name of Marcus Junius Brutus, a descendant of the heroic founder of the Republic, who would participate so markedly in its demise. A long-time friend of Julius Caesar, Brutus was the leader of the conspirators who assassinated Caesar on the Ides of March, and to whom the famous utterance of “Et tu, Brute?” was made by Caesar in his dying breath. (More likely, the actually words were the Greek “Kai su, teknon?” – “You too, my child?”. It was customary for the elite and intellectuals of Rome at that time to converse as well as write academic texts in Greek.)

Although there was a brief time in which many thought the Republic had been saved by those who conspired against the dictator Julius Caesar, it was not so. Caesar’s rule having been preceded by two devastating civil wars in the first century BC, much of the populace, thanks largely to his shrewed political tactics, the stability and peace he brought to the Republic, and his conquest of all Gaul, respected him, even as a hero and a worthy “dictator for life” (despite the lack of precedence of such power or title). Indeed, the conspirators, despite being given full amnesty by the Senate for his murder, were forced to flee Italy and were later killed or committed suicide in the ensuing wars. What cemented the transition in the end was the great ability and cunning of the first Emperor, Augustus (born Gaius Octavius Thurinus), which enabled him to manipulate the Senate while maintaining the facade of a return to a Republican system, eventually coercing the senators into appointing him emperor (interchangeably referred to as Augustus, Caesar, and Imperator during the period). In this tumultuous and tragic fashion was the glorious Roman Empire born.

The Roman Empire at its apex.

The extent and regions of the Roman Empire at its peak under Trajan in the 2nd century AD.

I will not dwell too much on the history of the early amd mid-Empire; suffice to say that it was governed by an eclectic mixture of men ranging from the wise and clement to the insane and cruel. The early 2nd century AD saw a time of both great prosperity and peace, often referred to as the Pax Romana, culminating with the rule of Marcus Aurelius (the last of the “Five Good Emporers“). Besides the Empire reaching its greatest territorial extent, it was also at its social and economic pinnacle, seemingly unshakable. (As a note, the film Gladiator was, at the very least, more or less along the right lines in its portrayal of Marcus Aurelius and his son and successor, Commodus. Unfortunately though, Commudus was not slain in the Colosseum by the vengeful Maximus Decimus Meridius, but was rather strangled in the bath tub by a wrestler after a failed poison attempt). Clearly, this “benevolent dictatorship” did not last as long as one might have hoped. The Crisis of the Third Century, beginning not long after the death of Marcus Aurelius, is considered by most to demonstrate the first (or at least clearest) signs of imperial decay. This is the subject on which I shall now focus.

The Decline and Fall of the Roman Empire

Now, let me first admit to this heading  not being of my own making. It in fact stems from Edward Gibbon’s masterpiece on the subject, written in the late 18th century, and has since been an inspiration in the study of late Roman/early Medieval history, as well as having become an almost cliched style of title.

With notable decay commencing in 3rd century, the power and grandeur of the empire gradually declined, with but several short-lived and quite modest resurgences (such as Constantine the Great’s reunion of the East and West halves of the empire, which later split again). The Crisis of the Third Century, although technically over by the closing decades of the century, never wholly subsided. The economic collapse, social unrest, numerous invasions, and incompetent emperors continued for the most part until the momentous Sack of Rome in 410 AD by the Visigoths, the first to occur in roughly 800 hears, and by far the most devastating. Although the Empire and certain aspects of Roman civilisation continued in a paltry and diminished form, a subsequent Sack of Rome in 455 AD by the Vandals (another Germanic tribe),  put the proverbial nail in the coffin. The somewhat more stable and populous eastern half of the empire, which became known as the Byzantine Empire (with a predominantly Greek culture) lasted amazingly for another millennium, until its capital Constantinople was sacked by the Ottomans (Turks) in 1453 AD, having been reduced to a shadow of its former glory centuries before by the Arab and Turkic expansion. When I refer to the “Roman Empire” in this article, however, I solely mean the Roman Empire as a whole entity, that which was dominated by Roman culture and the Latin language.

Backtracking slightly, let us now examine the potential causes of the decline, starting with what are perhaps the more evident ones.

  • The system of governance of the Roman Empire was flawed from the start. Unlike the Republic, there did not exist a strict set of rules determining who had the power to command what. The “checks and balances” developed during the Republic were far out of place by the time of the mid-Empire. The Empire was born out of civil war and turmoil, and not given any much consideration or foresight. What is more, the method of succession was not fixed – the Emperor could nominate whoever he chose to succeed him, or in the event of his death it may be whoever bullied their way to the top. In the latter years, the Praetorian Guard, the supposed protectors of the Emporer, often murdered the Caesar and replaced him with someone of their choosing. Even the Roman Kingdom, despite being an autocracy, had rules and traditions in place to protect against such chaos. Beginning with Caesar Augustus and lasting until the reign of Marcus Aurelius, the majority of emporers had enough sense and acumen to maintain, solidify, and even expand the boundaries of the empire, while the worst ones did not at least get chance enough to do too great harm. Beginning in the 3rd century however, this no longer applied.
  • The empire simply expanded too quickly, and as it did so, put unbearable strain on its resources. Food, money, and troops all became harder to maintain as its size increased, and particularly, as the externel threats amassed. Protecting and supplying the frontiers, and sometimes even the central provinces, became a difficult task. The sheer level of infrastructure required to hold onto to newly conquered provinces was immense, and the end result was monetary devaluation and rocketing taxes, hurting tremendously the lower and middle classes of society in many areas. This is a fate that has been shared by many great empires since, and thus must be taken quite seriously.
  • Most notably put forth by Edward Gibbon, the empire’s decline may be attributed to loss of “civic virtue”, or societal decay. The morals and ethics of the people of the Roman people was considered by many, including contemporary historians (as far back as Pliny the Elder, who lived in the early first century) to have collapsed. The Roman virtues, once highly esteemed in the Roman Republic, had been all but forgotten a hundered years into the Empire. Valour, duty, and learning were replaced by idleness, egotism, and indulgence. Men were more interested in attending luxurious parties and viewing theatrical spectacles than marching on the battlefield, while women would flaunt themselves in translucent silk dresses. Once this process began, there was little to stop its runaway course, except for the remote chance of radical and intelligent reforms, which no Emporer had the courage or perhaps capability to perform. The fact that the height of this decay corresponds with Constantine’s conversion of the empire from paganism to Christianity has been noted by some historians as a factor. (The argument boils down to: when people believe that the afterlife is the ultimate goal, and such qualities as meekness are desirable, how can those same people must force to conquer the world?). This viewpoint is however doubted by many, and I personally consider the underlying cause to be more complex and deeply embedded in the society and its development.
  • Closely linked to the previous point is the weakening of the Roman military. Beginning in the 3rd century, it became custom to generate much (eventually the majority) of the force by creating loose alliances with barbarian tribes. Such groups of warriors were called Foederati, primarily composed of Germanic tribes led by Germanic chieftains. In hindsight, one can see the transformation of the Roman military from a force composed at least 90% of Italians in the early empire, to one where only the commanding elite was Italian at the beginning of the 3rd century, and finally to one that was virtually entirely barbarian for the century before the ultimate fall of Rome. It is not surprising, you might rightly say, that putting the control of your armed forces effectively in the hands of your enemies (and in course becoming dependent on them) should come back to bite you one day. Indeed, the very leader of the people who sacked Rome in 410 AD, Alaric of the Visigoths, was a commander in a Roman foederatus (federated legion) in his early years, even spending some of his youth in Rome itself. Laxness, and even plain stupidity of the later rulers of the Empire may be blamed to a large extent for Rome eventually succumbing to foreigners – yet this does not even approach the core of the issue. It was noted by the historian Tacitus in his own time that the virtues upheld by the Germanic tribes, while differing greatly in certain ways, resembled in many respects the ancient Roman ones, and were crucially upheld while Rome was full of decay, especially well the luxuries of the civilised world could least penetrate. The warlike and ferocious nature encouraged in these tribal societies may not have made them a civilised or advanced people, but they excelled at one thing in particular: fighting.

This summarises what are considered to be the primary causes of this great civilisation’s collapse, despite other relatively fringe theories having appeared in recent times. Undoubtedly, such occurrences as widespread plague, environmental change would have contributed to the downfall, though it is rather unlikely they would have been the sole causes. Perhaps one of the most intriguing of these more minor theories is that of lead poisoning. Unknown to even the most sagely scientists of the era was the fact that lead is a highly toxic element, lethal in sufficient dosages. As the Romans, above all the aristocracy, would consume much food and wine that had been prepared in lead pots. and consequently had lead concentrations in their bodies over ten times that of their own slaves, and up to 100 times of that of humans alive today. The failure of the elite classes of Roman society to reproduce sufficiently, for this grave biological and social reason, might have lead to their ultimate demise, possibly even accounting for the insanity of several emperors such as the notorious Nero. In recent years this most curious theory had even started to enter the mainstream.

Labelling one, or even several, “true causes” of the fall of Rome, is a reductionist explanation that does not even come close to conveying the complexities of human affairs that existed during the decline and fall of the civilisation, or indeed, at any time. In my view, only by considering the circumstances in a holistic (and tactful) manner, can one gain at best a fair impression of the ultimate reasons from the available written and archaeological data. I firmly believe that all of the points given above had significant roles to play in Rome’s demise, to varying degrees, yet I would not want to go much further than this, and only to point out that there are surely factors unbeknown to me or anyone alive today (or perhaps ever) that were involved.

Rome’s Legacy

To many, including myself, it is quite astounding at some level that Roman civilisation flourished as long as it actually did. Saying this, there was no true reason why it could not have continued even until this present day, except, perhaps, for human fallibility. The bedrock of civilisation that was the Roman Republic might have resulted in a vastly different alternate history. Nevertheless, the contributions and achievements of this magnificent civilisation to humanity, ranging from society, law, art, and literature to warfare, technology, and most prominently religion, are beyond question. Whether one considers the following centuries of relative primitive and largely barbaric existence that dominated most of Europe until the dawn of the Italian Renaissance in 1300 either a great tragedy or an inevitable spoke in the wheel of time, understanding and appreciating the life and death of such an important civilisation and culture is in my mind of no less importance than the newsworthy events of recent years. If you are romantically inclined, you might find it enlightening as I do to envisage the happenings of the past as droplets that trickle down the stream of time into the vast sea that is today’s world.

My Guide to Science Fiction and Fantasy

Posted in Humanities, Personal on May 16th, 2009 by Noldorin – 4 Comments

Note: This guide is partially incomplete at present. I will try to get around to expanding the summaries at some time in the near future (in particular in the Fantasy section). Not to mention that almost undoubtedly, there will have been one or two books I will have wholly forgotten, to my future disbelief.

Last Updated: 13th October 2009


This post is a summary of my recommendations regarding fiction; specifically, in the genres of science fiction and fantasy, which have proven to be the types that have typically attracted my interest, though not quite the only types. Certainly, I feel that I have read enough of a variety within these areas now, that I can produce something of a useful guide for anyone interested in finding the real gems of these forms of literature. It is important to realise that the summaries that I have provided are not meant to be synopses or reviews of the books, but rather brief overviews of my personal takes on them, as well as suggestions relating to why you might be interested in them.

So without further preamble, here is my guide. I’ve listed my current favourites (by that I mean both most enjoyable and having greatest creative and literary merit) at the top, with others in a fairly arbitrary order.

Science Fiction

  • Dune and the Dune series by Frank Herbert
    In my opinion (and seemingly that of many others), perhaps the greatest science fiction novel ever written. The scope and storyline are truly unparalleled by anything else within the genre, and maybe anything else in the entire body of 20th century literature. In a certain respect, this work almost belongs within the fantasy genre because of its nature and some of the motifs – it’s much more of a superb story than superb speculative science, with a bit of philosophy thrown in. Of course, it still very much deserves the categorisation of sci-fi, mainly because of the interstellar travel (run by the monopolistic Spacing Guild), as well as the ideas and conjecture regarding ecology and terraforming. Overall, I might think that classifying it as a planetary romance does it maximum justice, though in all fairness there’s no real way to get a decent understanding of its unique style and grand themes without reading the work in its entirity. It is certainly not so-called “hard sci-fi”, but that’s not especially what I’m interested in to be honest, and no-one who has a proper interest in literature should care either. I don’t way to say too much more about this book, since I think everyone with an interest in sci-fi should read this once (and preferably reread it) from a fresh perspective and to experience its wonder for themself. Now if you make it through the original Dune novel (I’m not sure how you can finish it and be anything less than stunned), then I would without hesitance suggest that you also pick up the second and third of the series (Dune Messiah and Children of Dune), which are excellent reads in their own rights, if not actually masterpieces. After that, I’m afraid to say that the standard of writing and storyline declines to a certain degree (with a short resurgence in the latter half of Heretics of Dune). The rest of it does tend to get slightly crazy (not helped by Herbert’s unusual and sometimes slightly opaque writing style), and even verges on becoming somewhat raunchy at times. Still, they are by no means poor works, albeit ones that I would only recommend to serious fans of Frank Herbert. (More precisely, they are still works of high quality, but only to a much diminished subset of people.) So that I don’t end on a seemingly sour note, I shall repeat and reinforce my statement that the the original Dune, written in 1965, is a piece of literature that should not be missed by anyone with an interest in speculative fiction.
  • Foundation series by Isaac Asimov
    The original Foundation is perhaps the first truly epic sci-fi ever created, and to some extent the precursor of Dune and ultimately inspirational to the Star Wars universe (arguably alongside Dune itself). Unlike Herbert’s series, however, this one peaks somewhere in the middle, with both the head and tail ends being only marginally diminished in standard. Although it may not contain a single book that is the equal of Dune, the series as a whole is probably unbeatable. Its pace and sheer scale rarely drops, and there’s always a sense of the unexpected (though a few can be predicted, I believe it was intended very purposely). Again, similarly to Dune, this book is what it is because of its storyline, although there is undoubtedly a greater emphasis on the science, not surprisingly given that Asimov is in fact a scientist (chemist) by training. It contains some genuinely interesting and imaginative scientific concepts (as well as a few strange and outdated ones, having been written in the 50s), both in terms of hard science (mainly physics and astronomy) and soft science (psychohistory being the main one). The latter is particularly intriguing, as it demonstrates (albeit in superficial detail) an entire new branch of science, which is in essence a blend of history, sociology, and psychology turned into a mathematical study of analysis and prediction of the macro-events of the human race. As a matter of fact, I do believe that Asimov is showing some foresight in this respect. Though the level to which he proposes the usage of his psychohistory may not be very realistic, the core idea gets me thinking seriously about the possibility of such a field opening up in the future. To summarise, he explores a number of both scientific an human themes with exceptional insight, yet some amount of subtlety too. So if you want something that is enormous in scope, besides superb entertainment (yes, these novels even include a bit of humour!), you assuredly cannot go wrong with this series.
  • Space Odyssey series by Arthur C. Clarke
    2001: A Space Odyssey
    was one of the first proper science fiction novels I read (as a young teenager), and probably what really grabbed my fascination with the genre. As a novel written alongside a (faithful) film script, the storyline in fact ended up producing both a fantastic book and film, and counts for much of what made the Clarke the celebrity he was. Sadly, the great author passed away less than a year ago now, though he continued to write with much of his former skill well into the 21st century. Clarke’s works have always had the tendency to focus on space, the universe, and other intelligent species, and though they are perhaps not as grand in style as Dune or Foundation (he is clearly a realist opposed to the more romantic styles of the other two authors), they do have astoundingly good (hard) science, as well an undeniable element of suspense, which is present throughout almost all of his creations. The Space Odyssey series as a whole is one definitely worth reading to the end. If I remember rightly, only one of the four in the series (the others have the same names, replaced by the years 2010, 2061, and 3001) is a slight letdown, though the remainder (importantly, including the first and the last) are most enjoyable indeed. The first of the series I must however single out and include among my “big three” of sci-fi, the others being the original dune Dune and Foundation (despite a number of excellent sequels), as you might have suspected by now.
  • Rendezvous with Rama and the Rama series by Arthur C. Clarke
    Belonging almost as much in mystery/thriller category as it does in science fiction, it is nevertheless an astonishing read. The highly unique view that this story offers in relating the first contact of humans with other intelligent life (of a much more advanced form in this case) may not be an especially grand one, but the imagination that went into this creation was surely immense. Being a mystery, I’m not going to comment any more about the book, even in vague terms. (Or maybe I’m just not too sure what to think of it as a whole.) Specifically, I would recommend that if your introduction to the works of Arthur C. Clarke is (or has already been) a pleasant one beginning with 2001: A Space Odyssey, then this should definitely be next thing on your reading list. Most unfortunately however, akin to the Dune series, the quality of successive books  does deteriorate a certain amount. (I can confidently say that the second is worth a read, though, while the subsequent ones lose some, if not all, of their novelty.) If you need any more convincing, let me point out that Rendezvous with Rama won both of the highest commendations in science fiction, the Hugo Award and the Nebula Award, a feat that the original Dune similarly achieved.
  • Brave New World by Aldous Huxley
    Who hasn’t heard of this work alongside The War of the Worlds as a prime example of classic science fiction? Again, not celebrated so much for its scientific content as the eloquent manner in which it conveys certain philosophical and speculative ideas. I won’t deny that this is a bit of a depressing read in some ways, but its philosophical and sociological implications are beyond doubt not only captivating but also quite relevant to modern society. Perhaps I do have something of a penchant for philosophical prophecy in literature, but I don’t think anyone can finish this book not having had their own thoughts and outlook on life and society sincerely provoked, if not disturbed by this powerful portrayal of a dystopian world in the near future.
  • Farennheit 451 by Ray Bradbury
    A curious title, let alone book, and perhaps science fiction is not the most obvious classification for this work, though I think in a sociological sense it is so speculative and strikingly relevant regarding our future that it should be deemed so. This book has many parallels with Brave New World, the evident ones being the examination of dystopian societies (albeit two different forms) and philosophical warnings with undeniable precautionary overtones. They are both surely championing the freedom of independent thought and behaviour over the horrors that extreme conformism might bring. And finally: a book about the destruction of books – is there not a wonderful irony (perhaps even mockery) in this predominant theme?
  • I, Robot by Isaac Asimov
    For a book (or more accurately, a collection of short stories) written over a half a century ago at the dawn of the computer age, it may now be seen as both something of an oracle and false prophet. Irrespective, I found it to be a superbly insightful and intelligent read. Of course, despite Asimov’s “positronic brain” not having even have a vague analogy in modern physics or engineering, his exploration of various aspects of technology, philosophy, and perhaps greatest of all, psychology, was deep and far-reaching. Although the book lacked the continuity and thus development of plot that a novel brings, most of the storylines were quite entertaining, and there was some overall cohesion to the series. This takes away little from its overall impression, however, and has certainly tempted me to continue with the remainder of the Robot Series.

There are additionally a few books about which I have heard very positive reports but unfortunately haven’t gotten around to reading yet. I’ll update the summaries when I do get around to reading at least some of these books, which will most probably be some time over the coming summer break.

Fantasy

  • The Lord of the Rings trilogy and The Hobbit, or There and Back Again by J.R.R. Tolkien
    How much do I need to say about this one? That it most likely surpasses all of the others in both of the categories I have listed here should say enough about my particularly high opinion of the works. (I am a self-confessed Tolkien fanatic, after all) In fact, if you need convincing to read this epic, then I would suggest that you stop reading this list now (not that I would have expected you to get this far anyway)! I’ve mainly just included this entry for completeness, not because it’s going to be of any supreme help to anyone. As a side note, The Hobbit, or There and Back Again (commonly simply referred to as The Hobbit) should without doubt be read alongside the trilogy – whether before or after ought not make much of a difference to its impact, at least as I see it. Though I’m not sure to what extent this perception exists, I will nonetheless suggest that you dispel all notions of this being a story for chlidren – indeed it is no less suitable for adults than it is for a child, despite its comparative light-heartedness, which has possibly given it such a reputation. While I, as many others, read the novel first when I was quite young, it has not since lost its endearing quality to me, and see no reason why it should for anyone else.
  • The Silmarillion by J.R.R. Tolkien
    The epic historical prequel to The Hobbit and The Lord of the Rings, this may not be the easiest read when you first pick it up. (At least, it wasn’t for me, though perhaps that was because I was much younger at the time and the somewhat archaic language didn’t help – yet I can only say it adds to the character and feeling of the story nowadays.) Nonetheless, I would argue it is almost more magnificent than The Lord of the Rings in certain ways, being an true archetype of epic literature. (Though I haven’t read it myself, the Anglo-Saxon poem Beowulf may give some impression of its style; unsurprising, given that Tolkien was a professor who taught such works of literature.) To be honest, if you’re not immersed in it by the half-way point, then put it down, but I suspect this will not be the case for any lover of The Lord of the Rings, and you will hopefully become immersed as I did by the histories.
  • The Wheel of Time series by Robert Jordan
    This is a series that I’ve actually not managed to finish yet. (My excuse is that it’s composed of 12 books, each ranging from roughly 700 to 1000 pages. I’m never one to race through a book or series [at least not since I was younger], and in any case I’m at least getting some enjoyment out of the reading.) Influenced to large amounts by both Tolkien and Herbert’s works (and I didn’t even know this when I started reading it!), I believe this series will given time become as renowned as those two in its own right. This is the series to read if you’re looking for fantasy that is both entertaining and has great depth to its characters, something that arguably even the great Tolkien’s works were at times missing.
  • Shannara series by Terry Brooks
    Shannara is Brook’s most well-known (and as of yet) unfinished series. With a total of 14 books (a set composed over individual stories and series in their own right), this beats even The Wheel of Time in that respect, though the fact that the various storylines are disparate to a large degree makes it significantly more manageable. Being epic high fantasy very much in the style of Tolkien (though not direct plagarism, as some critics were too keen to codemn The Sword of Shannara). In my opinion, this series needs to be read at least until the conclusion of the second book (The Elfstones of the Shannara), which is in my mind still the best fantasy work outside of Tolkien’s collection, since I initially read it seven years ago.
  • The Word and the Void trilogy by Terry Brooks
    This is Brook’s lesser known series, though in fact considered by a sizable minority to be his best writing. With a dark, modern setting, this certainly isn’t his typical style (or at least the one by which he gained his reputation), though it is perhaps his most creative composition. It is additionally notable in representing his final break-away from the influence of Tolkien (not that I can deem this a wholly undesirable event), and really includes some very original content to its plot. Even if you were turned off by Shannara (or simply not particularly impressed), I would firstly respond in shock, but then suggest that this trilogy is worth a try regardless of your opinion.

Now, before some indignant Harry Potter fanboy comments on the absence of the series from my list (this is of course presuming I have any reading this post), I should stress that these are not books that have just slipped my mind. I’ve read them all (some more than once when I was a bit younger), and plainly, they are decent light entertainment, but nothing worth putting alongside the other greats, I’m afraid.

To end, I would only like to say that it would be very gratifying to hear whether anyone is making use of these recommendations. It would honestly be quite interesting just to gauge whether you as fellow fans of these genres concur with at least some of the views presented here, or conversely how you might view my summaries contrastingly. If not, I think I can still convince myself that I enjoyed writing this guide for its own sake!

Where to find free Classical music

Posted in Humanities on December 6th, 2008 by Noldorin – 1 Comment

If you’ve ever tried searching for classical music downloads on the web, you’ll have soon realised that it’s much harder to find what you want that it may have first appeared. (That is, given you’re wanting to stay within the bounds of the law and thus avoid torrents of commercial CDs, of course.) Surely there would be an abundance of free tracks for download, given that almost all composers of this genre of music are long dead, holding no copyrights (or if any, ones that have long since expired), you may think? Unfortunately, this is not quite the case. If you’ve searched for any more than a few recordings, you will have likely stumbled across one or two useful download/archive sites for free music out there, but most of the tiny number that exist actually have fairly sparse collections and usually far from the best quality recordings. If you’re really unlucky, you’ll download a bunch of MP3s only to later realise they are poorly synthesised MIDI files. The obvious explanation for this lack of free recordings is that the performers quite often need to make a living from their sales, and all of the recordings now out of copyright are typically of very poor quality, given that they were created well before the age of digital storage.

My own long (and ongoing) search for such music has lead me to a few exceptional websites for downloading free recordings (normally MP3s, but sometimes OGGs (Vorbis), and on the rare occasion even lossless codecs). Several I have only recently discovered after many months of (semi-regular) searching. Indeed, many seem to have somehow hidden themselves from Google particularly well! To the point: I thought I would finally share some of these websites I’ve bookmarked over time, with a brief guide to each so that you’re be aware of their strengths (and letdowns).

  • Classical Cat – Possibly the most useful directory for decent quality recordings of all sorts of classical music (ranging from the Renaissance through Romantic to the modern era). It contains a database of almost 5000 links to MP3 recordings (and helpful information about them such as their completeness and the instruments used) – the vast majority of which are active. The directory is updated and expanded on a regular basis (by a single dedicated maintainer, I believe). What is more, the layout and functionality of the site makes it trivial to find the piece you want very quickly. In my opinion, this should always be the first place to check for any free piece of classical music.
  • CoCoA – The most recent find of mine, and easily the largest resource for all types of classical music. Being open to user submissions (which seem to be moderated), it means that the collection is growing at a rapid rate. All MP3s are hosted on the website’s own servers (though there is the odd broken link).  However, it is important to note that the quality of recordings is quite variable, ranging from nearly perfect to those that have evidently been taken straight off vinyl records (though I suspect some have at least been remastered). The reason for this huge number of  tracks is unsurprisingly that they were taken from old records that are now out of copyright, though there is a significant number of very recent public domain recordings in addition (many kindly made and released by one of the guys running the project, and his friends).
  • Musopen – A rather small collection of high quality recordings, presented through an elegant looking site. Pieces are organised by composer and artist, though there is no search utility at the moment. Still, this website is clearly in its infancy and looks highly promising for the future! If you’re at all familiar with the Open Source movement, Musopen is more or less the musical equivalent, as you can read on its About page – its stated noble aim is to “set music free”. Similar to CoCoA’s system, if you feel like contributing any public domain music from your personal collection (or elsewhere), you can upload it directly to your site (with moderation it seems).
  • SoundClick – An enormous repository of over 25,000 classical recordings produced by modern artists who have released their work to the public. Some of the performances are however not of especially high standard (due to the nature of the repository), likewise with the sound quality, though the majority are definitely suitable for a personal music collection. The site requires registration (free), which enables access to all content, hosted on the website’s private servers. In particular, this is a good place to check if you’re looking for recordings of some of the less famous pieces of classical music, though there are plenty of popular ones too. Note that Classical Cat contains many links to SoundClick pages, and generally doesn’t include the less desirable recordings, so its always advisable to search that first.
  • Topdownloads.net – It’s not much easier to find a specific piece here than via Google, though there are ceraintly a number of good quality recordings here, of better and less well-known works – some of which you may not find anywhere else. Above all, the pristine recordings of all nine of Beethoven’s symphonies by the BBC Philharmonic (previously hosted on the BBC website but taken down long ago) are well worth the download!

The download speed from all of the above servers (disregarding Classical Cat, which doesn’t host any files) is usually quite good. If you find a broken link on any of these sites and the file is not mirrored elsewhere, it is always recommended to come back a week or two later and try again, as they are often only down temporarily from my experience.

So that’s my complete guide on where to find free Classical music. I do hope this saves some people from the arduous task of scouring the Internet for for decent (and legal) recordings of Classical music. Without doubt there are many people such as myself that simply don’t have the money to spend on a good Classical collection, and it would be a shame to restrict the music to only those that do. The fact remains that there simply aren’t any recordings for some major Classical works, but fortunately their number is ever decreasing. Finally, if anyone has a notable addition to this list, please do let me know and I’ll gladly edit this post to encorporate it.